I don’t believe that dreams foretell the future, or that they carry messages from some supernatural realm. I don’t treat them as omens, warnings, or encrypted prophecies. They arrive unannounced, perform their brief theatre, and disappear – often before we have had time to take proper note of them.
These days, I make a conscious effort to revisit my dreams – the pleasant ones, at least – before they fade, as remembered dreams almost always do. I replay their images and fragments of conversation, trying to hold them in place for a few extra minutes. Experience has taught me that unpleasant dreams often have less to do with buried trauma than with what I ate or drank the night before, and how much of it. Our biome, our hormones, and the chemistry of our cells exert a far greater influence on both conscious and subconscious life than we usually acknowledge.
Dreams are not messages. They are the subconscious mind doing what it does best: making connections – often random, but rarely senseless. The mind gathers scraps of memory, anxiety, thought, feeling, sensation, and imagination, and stitches them into narratives that may defy time and space, yet remain oddly coherent in their emotional logic.
Carl Jung believed that dreams were not disguises to be decoded but expressions – the psyche speaking to itself in its own symbolic language. One need not accept his metaphysics to recognise the insight. Sometimes these connections expose old fears resurfacing under mental stress or physical discomfort. I have often found myself, in dreams, flying at great speed just above treetops in familiar landscapes, unable to slow down, dodging electrical cables at the last second, or trapped in a cave.
“Dreams are not a different world – they are a more honest one.”
- Milan Kundera
In my experience dreams often do something more generous. They invent situations involving familiar people that unfold in unpredictable yet compelling ways I could never have imagined while awake. Conversations feel uncannily real. Scenes follow their own internal logic. Stories unfold without any obligation to conclude or resolve themselves. In such moments, the dreaming mind behaves like an artist freed from the tyranny of plausibility and utility.
Perhaps both dreams and art (about which I know next to nothing) emerge from the same underground workshop. Perhaps both rely on the mind’s ability to connect distant dots and allow contradictions to coexist. Colin Wilson wrote of consciousness not as a fixed state but as something that expands and contracts, slipping into heightened modes when freed from routine perception. Dreams, in this sense, are not lapses but experiments – brief excursions into alternative ways of seeing.
And then the curtain comes down. We wake up mid-scene, left with a mood, an image, a residue of meaning that resists explanation.
Dreams remind us that even when consciousness switches off, creativity does not. As Nietzsche put it, “We have art in order not to die of the truth.” Maybe we have dreams for the same reason.